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Elemental Embodiment, Video art, Creative Coding, Dimensions Variable, 2023
Location
Kyiv, Ukraine
Special Thanks
Olivia Jack
UA Media Fest
The city of Kyiv, Ukraine
Description
Classical elements of nature (earth, air, water and fire) aren’t sentient. But what if they were? How would they see themselves?
These animations were built using scientific imagery from NASA and Hydra, a live coding tool.
My framework of thinking and creating cites the works of anthropologist Eduardo Kohn (“How Forests Think”), philosopher Michel Serres (“Biogée”) and researchers Pia Spangenberger, Sonja Maria Geiger & Sarah-Christin Freytag (“Becoming nature: effects of embodying a tree in immersive virtual reality on nature relatedness”).
Press
•https://uart-fest.com/eng/
• https://www.fhnw.ch/de/die-fhnw/hochschulen/hgk/aktuelles/news-archiv-2024/gil-andrei-fontimayor-am-uart-media-fest-2024-in-kyjiw
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Strange Fruit, Set of Postcards, DIN A6 (105x148 mm/4.2x5.8in), 2022
Strange Fruit, Set of Postcards, DIN A6 (105x148 mm/4.2x5.8in), 2022
Description
Each card contains the lyrics of Billie Holiday’s song, “Strange Fruit” and visual interpretations of fallen tree leaves that usher in the autumnal season.
Methods of making included charcoal reduction drawing, cyanotype, paper marbling, crushed foliage, AI image generation and 3D rendering.
Each card contains the lyrics of Billie Holiday’s song, “Strange Fruit” and visual interpretations of fallen tree leaves that usher in the autumnal season.
Methods of making included charcoal reduction drawing, cyanotype, paper marbling, crushed foliage, AI image generation and 3D rendering.
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Quantum Computational Cartography, Weltformat Poster; 895 x 1280 mm, 2024
Quantum Computational Cartography, Weltformat Poster; 895 x 1280 mm, 2024
Description
Commissioned by Demian Conrad, the lead curator of the 2024 Alliance Graphique Internationale’s special exhibition.
The graphics of my poster were generated by a Stable
Diffusion-based algorithm.
The text-to-image input I provided was: “A weltformat poster design visualizing physicist Hugh Everett III’s Many Worlds Intrepretation (MWI) of the multiverse using the primary colors: red, yellow and blue.”
Commissioned by Demian Conrad, the lead curator of the 2024 Alliance Graphique Internationale’s special exhibition.
The graphics of my poster were generated by a Stable
Diffusion-based algorithm.
The text-to-image input I provided was: “A weltformat poster design visualizing physicist Hugh Everett III’s Many Worlds Intrepretation (MWI) of the multiverse using the primary colors: red, yellow and blue.”
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DeQonstructed: Smartphones; Wood, LED, Acrylic Glass, Ring Screws, Nylon String, Felt, Castor Wheels,
Dimensions Variable, 2025
Special Thanks
Prof. Dr. Clément Javerzac
Dr. Pierre Chevalier
Lukas Winter
Parinati Shah
Studiengang Masterstudio Design (ICDP), Hochschule für Gestaltung und Kunst Basel FHNW
DeQonstructed: Smartphones; Wood, LED, Acrylic Glass, Ring Screws, Nylon String, Felt, Castor Wheels,
Dimensions Variable, 2025
Special Thanks
Prof. Dr. Clément Javerzac
Dr. Pierre Chevalier
Lukas Winter
Parinati Shah
Studiengang Masterstudio Design (ICDP), Hochschule für Gestaltung und Kunst Basel FHNW
Description
It’s near common sight if you have a smartphone: a consumer electronics retail display. This pop up kiosk-resembling installation exposes the true inner workings of smartphones in attempt to educate users of quantum tech.
Quantum applications such as atomic clocks for GPS, quantum dots for screens and semiconducting transistors all resides inside these omnipresent devices.
It’s near common sight if you have a smartphone: a consumer electronics retail display. This pop up kiosk-resembling installation exposes the true inner workings of smartphones in attempt to educate users of quantum tech.
Quantum applications such as atomic clocks for GPS, quantum dots for screens and semiconducting transistors all resides inside these omnipresent devices.